Shabana Azmi (born 18 September 1950) is an Indian actress of film, television and theatre. An alumna of the Film and Television Institute of India of Pune, she made her film debut in 1974 and soon became one of the leading actresses of Parallel Cinema, a Bengali new-wave movement known for its serious content and neo-realism and received government patronage during the times. Regarded as one of the finest actresses in India, Azmi's performances in films in a variety of genres have generally earned her praise and awards, which include a record of five wins of the National Film Award for Best Actress and several international honours.[1][3] She has also received four Filmfare Awards.
Azmi has appeared in over 120 Hindi and Bengali films in both mainstream and independent cinema, and since 1988 she has acted in several foreign projects. Numerous of her films have been cited as a form of progressivism which portrays Indian society, its customs and traditions. In addition to acting, Azmi is a social and women's rights activist. She is the wife of poet and screenwriterJaved Akhtar. She is a Goodwill Ambassador of the United Nations Population Fund (UNPFA) which seeks to spread contraceptionand abortion in India in order to limit that country's population. In appreciation of Azmi's life and works, the Congress party'sgovernment gave her a nominated (unelected) membership of the Rajya Sabha, the upper house of parliament.
Bollywood actress Shabana Azmi has been a committed social activist, active in supporting child survival and fighting AIDS and injustice in real life. She was nominated as a member of the Rajya Sabha in 1997. In 1998, the United Nations Population Fund appointed her as its Goodwill Ambassador for India.
Early life and background
Shabana Azmi was born into a Muslim family in Hyderabad, India. Her parents are Kaifi Azmi (an Indian poet) and Shaukat Azmi (a veteran Indian People's Theatre Associationstage actress), both of whom were members of the Communist Party of India. Her brother, Baba Azmi, is a cinematographer. Her parents had an active social life, and their home was always thriving with people and activities of the communist party. It was not unusual for her to wake up in the morning and find members of the communist party sleeping about, from a previous night's communist social that ran late. Early in childhood, the environment in her home inculcated into her a respect for family ties, social and human values; and her parents always supported her to develop a passion for intellectual stimulation and growth.
Azmi did her schooling at the premier girl's school, Queen Mary School, Mumbai. She completed a graduate degree in Psychology from St. Xavier’s College, Mumbai, and followed it with a course in acting at the Film and Television Institute of India (FTII), Pune. She described the reason she decided to attend the film institute, saying, "I had the privilege of watching Jaya Bhaduri in a (Diploma) film, Suman, and I was completely enchanted by her performance because it was unlike the other performances I had seen. I really marvelled at that and said, 'My god, if by going to the Film Institute I can achieve that, that's what I want to do.'" Azmi eventually topped the list of successful candidates of 1972.
Career
Azmi graduated from the FTII in 1973 and went on to sign on Khwaja Ahmad Abbas' Faasla and began work on Kanti Lal Rathod's Parinay as well. Her first release, however, was Shyam Benegal's directorial debut Ankur (1974). Belonging to the arthouse genre of neo-realistic films, Ankur is based on a true story which occurred in Hyderabad. Azmi played Lakshmi, a married servant and villager who drifts into an affair with a college student who visits the countryside. Azmi was not the original choice for the film, and several leading actresses of that time refused to do it. The film went on to become a major critical success, and Azmi won the National Film Award for Best Actress for her performances.Upperstall.com described her work in the film as "an outstanding psychologically penetrating performance very different from those seen normally till then in mainstream Hindi cinema", and famous independent filmmaker Satyajit Ray commented, "In Ankur she may not have fitted immediately into her rustic surroundings, but her poise and personality are never in doubt. In two high pitched scenes, she pulls out the stops to firmly establish herself as one of our finest dramatic actresses".
She went on to receive the National Film Award consecutively for three years from 1983 to 1985 for her roles in movies, Arth, Khandhar and Paar. Another film Godmother (1999) earned her another National Film Award, taking her tally to five.
Azmi’s acting has been characterised by a real-life depiction of the roles played by her. In Mandi, she acted as a madam of a whorehouse. For this role, she put on weight and even chewed betel. Real life portrayals continued in almost all her movies. These included the role of a woman named Jamini resigned to her destiny in Khandhar and a typical urban Indian wife, homemaker and mother in Masoom.
Social activism
Shabana Azmi has been a committed social activist, active in supporting child survival and fighting AIDS and injustice in real life.Azmi has voiced her opinion on a variety of issues. Initially, her activism drew scepticism and was dubbed by some as a publicity gimmick. However, she proved her critics wrong and used her celebrity status to emerge as a high-profile social activist.
She had participated in several plays and demonstrations denouncing communalism. In 1989, along with Swami Agnivesh and Asghar Ali Engineer, she undertook a four-day march for communal harmony from New Delhi to Meerut. Among the social groups whose causes she has advocated are slum dwellers, displaced Kashmiri Pandit migrants and victims of the earthquake at Latur (Maharashtra, India). The 1993 Mumbai riots appalled her and she emerged as a forceful critic of religious extremism. After the 11 September 2001 attacks, she opposed the advice of the grand mufti of Jama Masjid calling upon the Muslims of India to join the people of Afghanistan in their fight by retorting that the leader go there alone.
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